I am not a fan of THE ROCKY HORROR SHOW. I mean, I can understand why it’s campy, irreverent nature and out-of-control audience participation appeals to its ardent following, but it is simply not a show I enjoy seeing. So it is a tremendous testament to the quality and energy of the Chapel Street Players’ production that I left Friday night’s performance having thoroughly enjoyed myself!
Tom Stoppard’s 1982 play, The Real Thing, is a beautifully constructed kaleidoscope which shows us how relationships ebb and flow and gives us the fly-on-the-wall view that would never be possible to have in real life.
The play has so many British cultural references that the cast took the challenge and all mastered some very good British accents and Thomas Russell,
Posted by Angela Dalecki
Wendy Wasserstein’s comedic play ISN’T IT ROMANTIC follows two friends in their late twenties as they try to navigate the harsh waters of romance and careers in 1980s Manhattan. One is Janie Blumberg (Madi Houff), a Jewish freelance writer struggling to establish independence from her well-meaning but occasionally overbearing parents (Rachel Barton and Peter Matthews) while still maintaining her ethnic identity.
Although Neil Simon wrote The Gingerbread Lady in 1970, many of its themes – dysfunctional relationships, co-dependency, alcoholism, unemployment, and the fear of growing older – will resonate with today’s audiences. All of these topics are fully explored during the dramedy now playing at Chapel Street Players.
When Brick, Maggie the Cat, Big Daddy and Big Mama come to town, it’s always a cause for celebration. Theatregoers know they’re in for an evening of epic family squabbling and steamy sexuality delivered in Tennessee Williams’ singular combination of Southern-inflected poetry and vulgarity. It’s therefore fortunate that the Chapel Street Players are giving us a look at Williams’ 1955 Pulitzer Prize-winning play Cat on a Hot Tin Roof—it may or may not be Williams’ best work,